Le cloud computing - Margy Consultants blog

Discover the secrets of using the cloud for digital marketing at Cloud Week 2016

Cloud computing has its week. It will take place from 4 to 8 July 2016 in Paris. Following the success of the previous edition, EuroCloud is renewing its invitation to take part in Cloud Week with all the experts and major professional organisations involved in the cloud computing revolution. Only a few years old, cloud computing is revolutionising the entire IT system of companies, particularly in terms of their digital communications. Before giving you the highlights of Cloud Week, let's take a look at cloud computing at the heart of VSEs and SMEs.

Cloud computing, the digital tool that's boosting business marketing

Cloud computing is a fairly recent concept, and a real marker of digital transformation in VSEs and SMEs. It enables companies' core marketing activities to benefit from colossal computing and information storage power. As a result, companies have access to a range of online services, including business applications, storage and computing.

According to an IDC survey of 150 French SMEs with between 50 and 1,000 employees, 78% of them said they were using cloud computing tools in 2015. This figure is expected to rise to 92% in 2016. This mainly concerns management application solutions, CRM (customer relationship management), ERM (risk management) and HCM (human resources management software). Businesses have thus largely integrated the profound changes brought about by the cloud and the digitalisation of the economy more generally, particularly in their communications strategy.

Cloud Week in Paris: a must-attend marketing event

Cloud Week will be held in Paris from 4 to 8 July 2016. This second edition will feature around ten events across the capital. Organised by EuroCloud France, this event is aimed at the cloud computing ecosystem. It will address the major challenges of the cloud, and in particular the uses and value of data, at conferences, round tables, themed workshops and professional meetings. As with the first event, the organisers are hoping to attract more than 4,000 heads of companies, VSEs and SMEs, and even 5,000 visitors to give the event a truly European dimension.

Among the week's events, the Visionaries' Conference on Monday will bring together leading figures from a wide range of fields to give their views on the future of digital technology. This will be followed by the Trophies evening, during which 5 prizes will be awarded for entry into the European competition. On Tuesday, the Paris Chamber of Commerce and Industry will be hosting a conference on why the cloud is a reality for businesses. A number of experts in the field will be talking about blockchain and its ambitions. The CDRT (Club des Dirigeants Réseaux et Telecoms) is also organising a morning session on unified communications in the cloud. Wednesday will be devoted to the EuroCloud France General Meeting, with contributions from a number of leading CIOs. Thursday will see a conference on "Marketing applied to SaaS: towards a new paradigm".

Cloud Week, at the beginning of July, is the key event for all cloud players in France and Europe. By promoting exchanges and professional meetings, Cloud Week helps to raise awareness of this new competitive factor among businesses large and small.


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Identité visuelle de l'entreprise - Margy Consultants blog

Enhancing the company's image through its visual identity

A company's visual identity is the set of graphic elements that represent the company. It takes the form of a combination of shapes, colours, typographic elements, symbols , etc. The aim is to give each company its own identity so that it can be directly recognised. Does it really have an impact on the company? Does it need to be renewed over the years?

How important is visual identity to a company?

Establishing the first contact between the company and the prospect

The corporate identity must set the tone. It is the first contact between the prospect and the company , so it must attract a potential customer and be easily recognisable. A logo that is too complicated to understand could have negative repercussions on target audiences. The font, the colours, the graphics - all these elements need to be studied as carefully as possible in order to produce work that is in line with what the company wishes to convey. If the branding succeeds in seducing the prospect, he or she will be able to move on to the next stage, i.e. placing an order or requesting a quote.

Conveying the company's values

The aim of a company is to convey a message, a set of values. This is achieved through its communications and, of course, its visual identity. In fact, thanks to its specific features, it must reflect the company and convey the values it defends. Thanks to this identity, the company can unconsciously convey certain messages and position itself in a specific sector, or even reach a specific target (young people, wealthy people, individuals, professionals, etc.).

Differentiate yourself from your competitors

A company's identity also helps it to stand out from its competitors. Companies operating in a competitive sector need to be able to stand out from the crowd thanks to a unique identity. This is the time to use your creativity and make your mark. With a quirky visual identity, a company is more likely to arouse curiosity and stay one step ahead of its competitors. An attractive logo, original typography and colours that reflect the company's values will all help to attract future consumers.

Should a company's identity evolve over time?

The question of evolving or changing a company's visual identity often arises. Should a logo be changed? Won't customers get lost in the shuffle? These are the questions that every company is entitled to ask. But it is essential for a company to evolve its identity over the years as new graphic design trends emerge. An identity that was striking in the 90s will not be as effective in the 2010s, in the era of the development of graphic design and typography. However, changing your identity does not mean changing your values or the message you want to convey. It is possible to keep strong elements (colours, symbols, etc.), but to use them in a more up-to-date and sophisticated way.


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Cadrat d'or récompense 3 imprimeries - Margy Consultants blog

ITAB awards Cadrat d'Or to 3 printing companies

For its 60th edition, the Cadrat d'Or competition is rewarding 3 printing companies for their work. Two tied for first place: Manufacture d'Histoires Deux-Ponts and Technic-Plus-Impression (TPI). A third "Coup de Coeur" prize was exceptionally awarded this year. A 2016 edition rich in awards.

What is the Cadrat d'Or?

The Cadrat d'Or is a prize awarded to the most innovative and creative French printing works. To take part, each printer simply has to submit 2 or 3 industrial works for sale, together with an entry form. A panel of judges will then award the prize to the best printer in France . The main members of the jury are Véronique Pivat, chairman, and Pascal Lenoir, chairman of the ITAB. No fewer than 24 entries were submitted to the jury for this 60th competition. The results were announced on 19 May at the Ecole Militaire in Paris. The Compagnie des chefs de fabrication de l'imprimerie awarded prizes to no fewer than 3 printing works. Two tied for first place . A third was singled out for the "Coup de Coeur" award it received from the members of the jury.

Who are the winners of the 3 Cadrat d'Or awards?

The Cadrat d'Or for creativity and innovation in publishing

The winner of this prize is La Manufacture d'Histoires Deux-Ponts. Based in Bresson, not far from Grenoble, this printing works was rewarded for the quality and creativity of the work it submitted. Already a winner in 2008, this is the second time that this printing works has been awarded a Cadrat d'Or for its work.

The Cadrat d'Or for creativity and innovation in communications

Taking part in the competition for the first time, Technic-Plus-Impression (TPI ), based in Betton near Rennes, tied for first place. The company won the Cadrat d'Or for creativity and innovation in communications. This award is a guarantee of quality and excellence for this printing company.

The Cadrat d'Or "Jury's Digital Favourite

Already a Cadrat d'Or winner in 2010, the E-Center digital printing works in Malakoff (Ile-de-France) has received a "digital favourite" award for its work. It's an encouraging prize for this innovative printing company, and one that will enable it to continue on its path towards new technologies.

A prestigious event attended by a host of celebrities

The celebrations for this 60th edition took place in the presence of some 230 personalities. Personalities from the world of graphic design and the arts, CCFI companions and representatives of the Ministry of the Economy, Industry and the Digital Economy. The latter, mainly Benjamin Leperchey, deputy director of health industries and consumer goods, was keen to highlight French know-how and the quality of the works presented. He congratulated the participants on their ability to adapt to a constantly evolving industry.


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La relation client - Margy Consultants blog

An effective customer relationship is based first and foremost on trust

Today, to build customer loyalty, it is becoming increasingly important to establish a real relationship of trust with them. It's a long-term process, and a fragile one too, because trust can be lost very quickly, but it's one that can transform ordinary consumers into people who are genuinely committed to defending your products, in the best of cases. There are a few tricks you can use to build a lasting customer relationship.

Knowing your customers is essential for building loyalty

It is becoming easier and easier to collect data on your customers. Any company worthy of the name should now have a documented customer database.

The more levels it contains, the more effective it will be, because you can then really personalise the messages you send to consumers of your products. A simple birthday message or a promotion on recurring purchases, without being very original, are simple ways of showing that you follow your regular customers. Show that you are close to your customers and that they are not just numbers on an overly large list. Be careful, however, when it comes to data management: according to a Verint study carried out in partnership with Ovum and Opinium, 30% of French people do not trust companies when it comes to data security. Don't hesitate to be specific about the reasons why you are collecting certain information, in order to reassure prospective customers, and don't go beyond what you have committed to. A reassured customer is a confident customer.

Customers are everywhere, on the Internet and elsewhere

Your customers are not just those who visit your website.

They are also present on social networks. So it's important to reach out to them on these channels too, because a good customer relationship is about more than just a successful exchange at the point of purchase.

To establish a sense of proximity, you need not only to be present, but to engage with consumers. Responding to messages, whether critical, positive or simply questioning, shows readers that you are interested in them.

This practice also enables you to better understand the expectations of your customers or prospects and, if necessary, adapt your offer to meet those needs. As part of a local relationship, it is also customary to take an interest in local practices and events, whether you are a small business or a multinational (some fast-food chains offer regional products depending on the country in which the shop is located).

Why is your customers' trust so important to you?

A confident customer gets involved and feels concerned by the brand. They are also consumers who develop loyalty. When a reliable relationship is established between a company and an individual, the latter will have a clear tendency to return to that company for future purchases.

Trust is built, of course, by a well-displayed pricing policy and respect for deadlines, and not just by a continuous presence on the Internet. It's not a one-way street: a company can also show its customers that it trusts them, for example by accepting returns without justification. In this way, the relationship becomes a win-win situation in which everyone benefits.


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5 axes stratégiques de diversification de l'imprimerie - Margy consultants blog

5 strategic areas of diversification for the printing business

Faced with a depressed economic climate, the commercial printing sector is increasingly seeking to reinvent itself by diversifying its activities. These are not good times for printers, who for several years have had to contend with a fall in demand from both professional and private customers, and the resulting exacerbation of competition. As a result, printers are having to move away from an all-print approach in order to expand their markets, by devising new strategic directions that will see their business model evolve.

Large format printing

The fast-expanding visual communications markets represent a way of diversifying print. Thanks todigital printing, large format printing is accessible to printers through the acquisition of low-cost equipment. To conquer these new markets, printers may also need to develop delivery services (such as for events), installation services (for distribution in particular) and even connected screens.

The web-to-print customer interface

Through web-to-print, printers set up a website that allows individuals to order printed documents directly online (B2C) or professionals to manage their printing collaboratively (B2B). By renewing customer relations, web-to-print solutions make it possible to attract new customers interested in print over a wide catchment area, streamline communication between the printer and its customers, simplify the purchasing process and optimise the use of production equipment.

Website design

At the heart of a strategy to build customer loyalty, the development of a website design service represents an additional service for a printing company. By focusing on customer satisfaction, printers can offer a complete communications solution, from graphic design to print and web design, as well as consultancy. By offering a wide range of services, this positioning provides an opportunity to strengthen customer relations and increase orders.

Adhesive

With the development of digital rotary printing, the adhesive sector has opened up to traditional printers looking to diversify their activities. With the market for self-adhesive labels growing strongly, the investment required is quickly proving profitable for printers offering a complementary service to print. With a promising future ahead of us, the advantages of adhesive labels also lie in the technological innovations that have been made to digital rotary presses, enabling them to become even more productive.

Printed electronics

Printing on industrial substrates such as NFC or RFID tags, OLED lighting, biomedical sensors, batteries, printed circuits, etc. is a diversification that involves running a workshop on the customer's premises. However, offering a smart (or communicating) paper segment in addition to print offers real opportunities for developing high value-added markets linked to technological changes in printed electronics.

The advent of digital technology has, on the one hand, weakened the printing industry by making it more competitive and, paradoxically, on the other hand, has enabled it to improve the quality of its products, boost its productivity and competitiveness and diversify its offering. Faced with the current crisis, printers have real strategic opportunities to bounce back, conquer new markets and enhance the value of print.


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iMédia Brand Summit 2106 - Margy Consultants blog

iMédia Brand Summit 2016: focus on digital marketing

With the proliferation of online businesses and the digital revolution, the issue of digital marketing is becoming increasingly important. As businesses establish an online presence, they need to adapt their communications through e-marketing . With this in mind, the annual iMédia Brand Summit (formerly Digital Marketing One to One) features contributions from experts in digital communications. Here's a closer look at this eagerly-awaited event for businesses and other marketing enthusiasts.

The challenges of digital marketing for businesses

The annual digital marketing conference will be held on 1 and 2 June 2016 in Biarritz. This business meeting will bring together no fewer than 500 e-marketing specialists . The programme includes a number of round tables and no fewer than 800 business meetings between service providers and decision-makers. The aim is to take stock of the situation and the importance of digital marketing at national and global level. The meeting will also aim to find long-term solutions for digital communication and consumer management.

5 plenary conferences for this marketing event

Keynote "Catching the wave of the digital company of 2030":

To open this event, Joël De Rosnay, lecturer and personality of the Digital Economy, will present the organisations that could be present in 2030. As we move towards an all-digital world, he will discuss the future of business in this digital universe and the notion of "augmented consumers".

Focus on the Data Management Platform:

On 1 June, from 6.15pm to 7.15pm, communications experts will be taking the floor to explain the state of the Data Management Platform and its future in digital marketing. Various speakers will highlight these audience management platforms and their popularity with online merchants.

Conference on Customer Experience :

On 2 June, from 9am to 10am, a conference will be held on Customer Experience. Various specialists and heads of marketing departments from major groups will be taking part. The aim of the conference is to shed light on customer experience, its supporters and its advocates. Who are they? What are their strategies?

Speech by David Shing :

On 2 June, from 12.15pm to 1.15pm, David Shing, Digital Prophet - AOL, will be talking about the place of creativity in advertising. Have disruptive tech and programmatic advertising definitively stolen the spotlight from creativity in the world of advertising?

Round table on crowd-marketing:

Finally, on 2 June, from 6-7pm, there will be a round-table discussion on crowd-marketing . What role do consumer opinions play in brand communication? Is it necessary to limit crowd-marketing in the years to come? On the contrary, should brands work with consumers to promote their businesses more? A wide range of issues will be addressed.


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Conférence marketing - Margy Consultants blog

In 2016, digital marketing is seeking its place in companies

At the conference on the frontiers of digital marketing organised by Viuz, rather than looking in the coffee grounds, professionals preferred to share their experiences. These discussions provided an opportunity to consider the trends in this field over the coming years.

First of all, the underlying trend: digital advertising is dominating the sector and supplanting television advertising. Marketers are expecting online advertising to grow by 8.1%, compared with +0.3% for the overall market across all media.

Virtual reality is no longer a pipe dream

That said, Thomas Husson, an analyst at Forrester, drew attention to a number of trends. The use of virtual reality will increase significantly. In 2016, an estimated 1 million headsets were in use in the United States. By 2020, this figure is expected to rise to 50 million, 20 million of which will be used by businesses. The sectors most affected by its use will be the luxury tourism and automotive industries.

Mobile: omnipresent and indisputable in 2016

Another major trend is that mobile phones are supplanting PCs and increasingly intruding into our private lives. Mobile first" is being overtaken by "mobile only", and is taking its place at the centre of the galaxy of connected objects (IOT). A few figures give the measure of this omnipresence. In 2015, Facebook generated 78% of its advertising revenue on mobiles, 51% of the time spent on the Internet is spent on our phones and 50% of the 100 billion queries on Google are made on them. Our smartphone is everywhere, encroaching on our free time and leisure activities, a time-consuming, omniscient little monster.

2016: 75% of web traffic will be video

Since 2011, the use of video has continued to grow. Every day, there are 8 billion video views on Facebook and Snapchat, and the average web user watches 40 minutes of video per session. In response to this growth, Google has launched YouTube Kids and YouTube Gaming. The aim of this targeting is to enable advertisers to detect the interests of their target audience and tailor their digital advertising accordingly. It is up to professionals to determine the right video format to develop, even if there is an emerging preference for short videos.

Personalising digital advertising

The final major finding is the need for increasingly personalised digital marketing. At L'Oréal, Laurent Laforest points out that, in their field, communication involves influencers. In other words, bloggers and social networks.

Increasingly specialised blogs are becoming an essential intermediary in the luxury and make-up sectors. However, this power of influence requires genuine objectivity on their part, and the promotion of products must be clearly framed by sponsored articles.

Social networks are used more by the 16-34 age group, who refer to them whenever they are looking for information. After the age of 50, the search engine takes over.

As with Sosh and Parisien, it's up to marketers to devise campaigns based on the habits and interests of Internet users. Targeted content and subscription offers based on the data collected will improve the conversion rate.

The harsh reality of marketing: do as I say...

Once all these trends have been analysed, tested and applied, we need to get back to the reality of the figures. In business, the gap between consumer habits and marketing practices is far from being bridged.

In 2015, only 7% of companies responding to the Idaos Barometer on digital transformation invested in new technologies and changed their communication methods. Elsewhere, everything is still in the making. The digital marketing trend for 2016 may well begin with a realisation that the Internet has become a reality.


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Additive Manufacturing Europe, premier salon européen de l'impression 3D- Margy consultants blog

Additive Manufacturing Europe, Europe's leading 3D printing exhibition

Successor to 3D Printshow

Additive Manufacturing Europe has become the successor to the famous 3D Printshow, the third and final edition of which was held in Paris on 16 and 17 October. Its organiser, the Tarsus group, has decided to give the show a new direction, bringing together the London, Madrid and Berlin shows on a single site in Amsterdam, the Netherlands. Additive Manufacturing Europe has thus become a B2B-oriented show, mainly for the healthcare, automotive, aerospace and industrial prototyping sectors. As the show is European, it will be available in several languages to make it more accessible to all.

A show devoted entirely to additive manufacturing

From 28 to 30 June, all the professionals involved in additive manufacturing will be present at the Amsterdam RAI. Additive manufacturing technology is continuing to expand rapidly in 2016. Numerous projects are being launched and professionals are investing heavily in research and development at all levels: software, 3D printing technologies and tooling.
Additive printing is revolutionising many manufacturing processes. In the automotive sector, for example, 3D printing is enabling prototypes to be produced and tested rapidly.
In the healthcare sector, new prostheses have appeared that have already saved the lives of several patients. Finally, more recently, 3D printing technology has enabled astronauts on the ISS to remotely print a spanner they were missing.
To showcase the latest innovations, Additive Manufacturing Europe 2016 will feature an area dedicated to fast-growing activities, but please note that the show is for professionals only.

The exhibitors

As Additive Manufacturing is a European show, the big names in the sector will be there, including BigRep, envisionTEC, Formlabs, Höganäs, SLM, Smit Röntgen (Philips), Ultimaker, Trumpf and UL. As a meeting place and a forum for exchange, the show is an opportunity for many professionals to come and demonstrate their expertise. There will be suppliers of printing materials, manufacturers of 3D printers, suppliers of solutions and software, with examples of their achievements. All good reasons for engineers, designers and manufacturers to come and get inspired!

Conferences and training

Throughout the show, a conference will focus on the latest trends and technologies. With the help of experts, it will attempt to gain a better understanding of future challenges, and answer a number of practical questions.

UL will also be offering a series of three one-day courses throughout the show. The first will be devoted to the basic principles of additive manufacturing, the second to design strategies, and the third to quality and safety management. A great opportunity to perfect your knowledge of additive manufacturing!

Finally, there will be a Product Stage at the show, open to all, where companies will be presenting their products and technologies, as well as case studies. This will be a place for discussion and reflection, where visitors can exchange ideas and ask any questions they may have.

To find out more

Would you like to come along? You'll find all the practical information you need on the exhibition website.


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marketing conversationnel - Margy Consulstants blog

The 4 fundamental challenges of conversational marketing

Conversational marketing is based on two major facts: on the one hand, customers share their purchasing experience with their community, and on the other, consumers need to be convinced and reassured by their peers. The prodigious expansion of social networks over the last decade and the advent of the smartphone have led to greater interaction between consumers and an increase in the digital content produced by brands. To better understand their customers' needs, companies are investing even more in conversational marketing. However, the profound changes that conversational marketing has undergone in terms of both uses and tools have given rise to new challenges that companies need to take on board.

Customer content at the centre of attention

At the heart of conversational marketing, consumer opinions are the object of a particular appetite on the part of companies, which want more and more of them. They even create events to collect customer feedback, which they then transform into digital content. The aim is for brands to adopt an "earned media" approach, taking advantage of free exposure on digital tools. Companies then have to manage, compile and moderate this content.

The advent of the multi-connected consumer

While a few years ago showrooming (buying on the internet after having been in a shop) gave rise to fears for physical shops, it turned out that digital technology was actually more conducive to the act of buying. Unless the price difference is significant, customers will not leave the shop to buy via another channel. The content produced by conversational marketing has become essential information for consumers. Providing the best possible access to all the digital tools capable of delivering content becomes a key challenge for businesses, both in terms of customer conversion and customer loyalty.

The omnipresence of consumer opinions

Whereas consumer reviews used to be confined to the very end of product sheets, today they are displayed on home pages, newsletters, etc. and even in shops. With the rise of conversational marketing, they are becoming real selling points, like recommendations, put forward by companies. Customer feedback is essential because it reassures customers and lends credibility to the brand's message.

The discussion between brands and customers

These days, the changes in conversational marketing have introduced exchanges and not just unilateral opinions. Brands respond to customers on the various digital channels. They solicit and challenge them as part of an ongoing dialogue that allows them to listen and respond in real time to their customers' concerns. Some companies even offer customers the chance to earn points for their comments. Faced with this emergence of customer communities, brands that create fake consumer reviews from scratch will immediately find themselves discredited.

Even if the risk of bad buzz does exist, companies owe it to themselves to invest in conversational marketing in order to strengthen their customer relations. Nevertheless, brand communication operations are constantly changing, and the integration of consumer opinions and digital content must adapt to the new challenges.


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Graphisme en France - Margy Consultants blog

Graphisme en France, 22nd edition on graphic design research

For the 22nd issue of Graphisme en France, the Centre National des Arts Plastiques (CNAP) is taking stock of research into graphic design and typography. The centre is giving various professors, lecturers and researchers in the field of graphic design the opportunity to present and explain the past and present position of graphic design research.

What is the aim of this graphic design magazine?

With the publication of this new edition, the CNAP wishes to inform expert and amateur graphic designers about current research in the field of graphic design, typography and visual identity more generally. It gives 6 researchers, historians, teachers and authors the opportunity to present their research and work on graphic design and its development over the years. Direct access, open to a wide audience, since the magazine can be accessed free of charge via the Internet. A magazine of almost 200 pages highlighted by Alice Jauneau and David Vallance, two typographers. They chose Walther for the layout. A new typeface developed by Sarah Kremer.

Speakers specialising in visual identity

The 6 contributors to this magazine are obviously specialists in the field of visual identity and graphic design research. Each contributor presents his or her own opinion and work in order to bring a plural dimension to this document.

  • Éloïse Pérez, graphic designer and typographer, takes stock of graphic design research in France. She discusses a number of books on graphic design research, as well as the various researchers and their work in the field of graphic design and typography.
  • Alice Twemlaw, author, lecturer and teacher, begins by defining the word 'research' and the various definitions that can be given to it. She then explains the nature of research in graphic design.
  • Catherine Guiral, graphic designer and design researcher, draws on the work of graphic designer Pierre Faucheux to explain her research into graphic design and typography.
  • Annick Lantenois and Gilles Rouffineau, teachers of the 'graphic design' option at the École supérieure d'art et design de Grenoble-Valence, present and explain the nature of the research they conduct at their institution.
  • Sébastien Morlighem, typography researcher and historian, presents his research into typography.
  • Catherine de Smet, lecturer and doctor in the history of typography, explains her research into the Grapus collective. She will use various images from the collective to illustrate her research.

A magazine rich in illustrations

This issue of Graphisme en France features a wealth of illustrations taken from advertisements, political tracts, manuscripts and other visual identities, highlighting the graphic and typographic dimensions of the documents. Each of the illustrations in the magazine has a caption to help readers identify the author and source. The captions also give details of the design, typeface and shorthand of each image. These captions clearly demonstrate the communicative power of advertising posters. They show the importance of typography and graphic design in creating a visual identity for a brand, a sign, a group, a film, a political party, etc.


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